Sarah Kortemeier:
During the first lesson of my creative writing residency, I introduced the concept of “white space” as an integral part of poetry. I held up examples of prose pieces and examples of poetry, and I asked the students to tell me how pieces of poetry and pieces of prose “looked different” on the page. The white spaces in a piece of poetry, I told the students, give us extra time to look at and think about certain words. As the students wrote their own first pieces of poetry, I encouraged them to play around with white space on the page.
In a discussion a few lessons later, I discovered that most of the class had thought I was saying “wide space.”
They'd done it again. Time after time, the students in my elementary school classes have demonstrated that they know a lot more about poem-making than I do.
It's been a privilege and a delight to encounter the wide, wide spaces of these children's imaginations:
Matthew Conley:Confidence? Maybe; bravado assuredly. For the first five weeks I celebrated many breakthroughs and suffered many missteps in my first residency with the 1st and 2nd graders of Hollinger Elementary. But in my mind I still hadn’t felt a deeper connection with these students. I’d brought in some fantastic lesson plans and we’d shared some amazing work; still I worried a distance between us. My best activity in hand I opened the door to Daisy Carrillo’s classroom after a big breath in and out.
They greeted me at the door with warm smiles and hugs as always, and almost immediately Juliana H. pointed to the windows: “Look at our robots!” Wonderful machines of cardboard and tin foil with superpowers galore. I realized these young people were letting me know exactly what they wanted me to do: listen! We reviewed each and every robot and the students got down to work. In academic circles I have often waxed philosophical about the role of a teacher as a student. This program has given me very real evidence of that magic.
Highlights from the First Year of a Successful Program
At the Intersection of Teaching and Writing: Creative Writing in K-5 Classrooms is a new year-long program in which M.F.A. Students develop skills and experience as Teaching Artists. Recent graduates of the program describe here some of their favorite writing activities and present writing by their elementary school students. ―Laynie Browne, Elementary Education Coordinator and Instructor of “At the Intersection of Teaching and Writing.”
Zach Buscher: It became clear to me early on that the 4th and 5th grade students at Corbett Elementary appreciated writing in received forms. Free verse seemed too amorphous, too open an entryway to poetry. Taking a page (literally) from Kenneth Koch’s classic “Wishes, Lies, and Dreams,” I found the sestina assignment produced some of the most wonderfully strange (or strangely wonderful?) writing of the semester.
While Koch employed the sestina as a collaborative form, I thought the students might like to write sestinas of their own. After introducing the form through readings of Elizabeth Bishop’s “Sestina” and Ashbery’s “Farm Implements and Rutabagas in a Landscape” (edited, of course), I drew out the sestina template on the whiteboard. To simplify things a bit, we took a class vote to decide the six end-words we would use. In Mrs. Ahumada’s 5th grade class we settled on “penguin,” “potato,” “wave,” “weird,” “lavender,” and “cool.” These words produced fantastical narrative poetry of the highest caliber, worlds of personified penguins and potatoes, as the following example illustrates:
Astrid Slagle: To get the students over the idea that writing poetry is boring, I incorporated games into the lessons.
One of the most successful of these I called ‘Madlib Poetry.’ The class began by writing as many comparisons as they could, including a color in each one. Once they had written these, I wrote a list of other adjectives on the board: ‘loud,’ ‘sweet,’ ‘lazy,’ ‘hot,’ ‘soft,’ and ‘light.’ I gave each of these adjectives a number, one through six, and for each of their lines, the students had to roll a dice to determine which new word they would use. The random nature of this activity produced some wonderful results, and helped the class expand on the literal way of describing things they were used to.
Here is an example of a poem produced during that lesson: